Guimauve
Japanese people can go crazy about touring from shops to shops, cafes to cafes exploring new kinds of luxury cakes and confectionaries, but this is probably the first time for luxury marshmallows to catch attention.
One TV show featured luxury marshmallows in Tokyo the other day. It seems like the petit boom started a couple of months ago around the White Day season (White Day = March 14th, a day for boyfriends to give their girlfriends a gift in return for the Valentine's Day gifts. For Valentine's girls usually give boys chocolate, and for White Day boys give white sweets like white chocolate and marshmallows).
Luxury marshmallows are those that are given labels of luxury hotels and restaurants, and they are available at the confectionary/ pastry shops of those places.
At first, I was only like, "how could marshmallows be so different?" but I happened to have a chance to buy these marshmallows for my aunt so I got a box for myself. The place I went to is the Park Hyatt Hotel in Tokyo and they actually call them not marshmallows but "guimauve" (French, I think?), and Park Hyatt's guimauve looks like the one in the picture (I didn't bother taking a photo until the last piece so it looks kind of odd...).
The shape is like a slightly bigger version of kiss chocolate, and the texture smooth and moderately springy. As compared to regular marshmallows sold in supermarkets this one is a lot softer and delicate, and you'll feel that even more when you take one into your mouth. It's really delicate and fine. I was surprised how it melts on the tongue. It feels more like meringue barely keeping its form... and the flavor too was very rich. This one in the picture is raspberry flavor and it tasted like I was tasting raspberry puree. Very rich.
Park Hyatt had two kinds, raspberry and passion fruit, and I bet the passion fruit tastes as rich as the raspberry. A box costs Y800 (US$6.7) so although they call it luxury, it's not like it's unaffordable. I think it's certainly worth a casual gift for someone or even for yourself.
Baseball
About 10 months ago the entire country was literally stirred by the two highschool baseball monsters Saito Yuuki and Tanaka Masahiro. The same fever has now shifted to university baseball league and professional baseball league.
Winning pitcher Saito Yuuki decided to go on to higher education and entered Waseda University this past April. Waseda is one of the Tokyo Big6 Baseball League (Tokyo's uni sports conference, sort of like the equivalent to the IVY League in US) and its baseball team is strong enough, but with Saito joining the team looks like its gotten even stronger and energetic.
The participation of Saito in the Big6 didn't only vitalize his own university but brought a huge influence on the popularity of the Big6 League itself. University baseball, back 60 years ago was the most popular amateur sport that attracted the largest number of crowds (people waited in ticket lines overnight... thought this was a modern phenomenon, nevertheless...) but the popularity kind of sank in the following decades. Eventually the center of baseball became the professional leagues (we have two, the Pacific and the Central) where the top players play every night.
However, by entering university baseball instead of professional Saito brought his fans to the Big6 games and now tickets for every game he plays sell out in seconds. More games are being shown live on TV, and the goods are selling out as well as the tickets.
This weekend is going to be a festival around the Jingu Stadium and at the campuses, for the game taking place is fought between Waseda and Keio. Known as "Sokei-sen" (So for Waseda, Kei for Keio, sen means match/battle) the match-up between these two are traditionally the most popular especially for baseball, and this weekend is even more special because if Waseda wins it automatically makes Waseda the winner of the spring tournament. The game is going to be aired live on two channels which is needless to say an irregular case.
Besides the baseball game itself, Sokeisen provides a stage for another kind of battle, which is the cheering. Called "Ouen-gassen" the cheering for both schools (and other schools of the Big6 as well) is another feature of the Sokei-sen and no doubt the most important leader of the crowd. So that's another something to look out for. As for Saito, he's doing pretty well improving his baseball skills and marking good records.
The other mammoth pitcher Tanaka joined the Tohoku Rakuten Golden Eagles, a relatively knew team having its home base in Sendai. The team despite its unwell team performance in the past couple of years is quite popular and the popularity rose higher with Tanaka joining the team. He's expected a lot from the fans. Though his debut game was not really a good one for him (as far as I recall which is not too much) he's been dedicating to the team a lot in terms of results in numbers and as a stimulator for the other players. His influence on the team can be seen in the team performance of Rakuten this season. Pretty good ;-)
Fushimi Inari Taisha (Shrine) is located only two stops south from Kyoto Station on JR Nara Line, and the grand gate to the shrine is located right in front of the Station exit. As you go through the gate you will find a shrine pavilion and behind that the main shrine where you make offerings and pray. Behind the main shrine there is a path that leads you to the widely known Sembon Torii (thousand torii). This Sembon Torii was what I wanted to see with my own eyes, and thus the highlight of this trip.
Torii are the gates you find at Shinto shrines or grounds that are affiliated with Shinto sanctity. They are often located at the entrances to the shrine grounds as well as within, and many times in the nature as best represented in rocks and forests/ woods. Torii are made of wood and are in the color of the wood (brown - dark brown) if not vivid vermillion red representing brightness (light, hope, life).
Since these gates are indicators (or even reminders) that are built on the boundary of the sacred and the profane, in most cases the gates stand individually. Fushimi Inari is no exception in terms of the main entrance, but the most unique feature of this shrine is this Thousand Torii where hundreds of them are placed one right next to another creating tunnels of torii. The location appears in many posters, travel brochures, TV commercials, TV dramas and films... and I simply wanted to see this almost insane collection of red.
Probably because a Japanese like myself is brought up tacitly being taught that torii as well as vermillion red for the shrines are something sacred or something apart from our daily lives, these kind of places give me a sense of chilly awe and take my breath away in a different way from standing on top of a mountain and looking across the universe. It was beautiful but at the same time a bit eerie. Would have been much eerier if there weren't any fellow tourists and students on trips.
As you come out to from the narrow vermillion tunnel you reach the Okunoin, and behind it Mt.Inari. Not only the shrine ground and the approach expands to the entire side of the mountain, like many other Shinto shrines the Shrine worships this whole mountain (... is what I learned afterwards. I didn't even know that the visit would be a good 2-hour-hike).
The approach that climbs up the mountain is marked with another set of hundreds of torii, this time larger and placed slightly (only slightly) apart. Moderately steep stairs lead most of the way with partially really steep places, and along the path stand several houses. Many of these houses have rest areas located next to them, offering food and drinks as well as great view. (The picture is of hiyashiame, literally cold candy, a very sweet drink made of malt sugar with ginger. Savior of my soar throat this day.)
Also along the circular route across the mountainside are smaller shrines, all related to the main Inari but each with different purposes. Some are for safe traveling, some others for health around your neck and head, others for health for back and legs, etc. etc.. Some are relatively bigger in terms of size and significance than others, but there were more than a dozen located on the route.
In addition to the shrines are the... heaps (I don't know how to describe them)... called tsuka. At a glance these places look like a mixture of Shintoism with Buddhism as the carved stones look like Buddhist gravestones, but the surroundings are of complete Shintoism. The stones are actually not gravestones but are each gods - households that worship Shintoism carve the sacred (gods') names on the rocks and enshrine the rocks on this mountain as part of the Inari (god of agriculture and harvest) because this is Inari's center of worship.
Overall the visit was a pleasant one, not to mention fascinating... and good exercise. Just one thing though: even though there were fairly many tourists, there weren't too many that actually climbed the route and so I wasn't always seeing people around. When encountering couples and groups I didn't really feel anything, but when I saw some people who were there alone, silent and slow, there were some times when I didn't know if I were seeing real people or not. I don't usually see ghosts and phantoms, but so-thought sacred grounds like this sometimes make me feel... unsure.
My first night in Osaka was my first time to use the internet cafe as an accommodation. It wasn't awfully bad, but perhaps by no means comfortable. Chilly and smokey, plus the flat type rooms were all taken so we had no choice but to take the recliner seats. Well... the seats weren't bad. What bothered me more was the rustling sounds people made throughout the night whenever somebody moved around. It's an internet cafe after all. Can't complain.
We spent the first real day in Osaka in the Namba area. That's probably the busiest and noisiest area of the city, I think. This is where you can find the famous Glico neon board and the Kuidaore figure, not to mention tons of eatouts particularly of Osaka's specialties takoyaki and okonomiyaki. It was a Friday morning but the place was already bustling with mostly tourists and students on school excursions. Busy place. I went back to the area alone on a Sunday after my friends had headed back home. Well, that was quite a crowd. Not just this Dotombori area but even more crowded in the Shinsaibashi area. My impression of Shinsaibashi was Shibuya made into a single straight arcade. Lots of shops and young people. I had heard before that the fashion in Osaka (actually not just Osaka but also big cities like Nagoya and Kobe respectively) is different from Tokyo. I think I would agree. At least for the girls, it looked like Osaka girls prefer gears on the gal side more than the Tokyo girls like. Strong vivid colors and glittery accessories, too.
The following day we went to Osaka Castle and Shitennoji Temple. The temple ground was pretty big though not vast like the ones in the ancient capital Nara. Still the 1,400-year-old temple is preserved well (of course with nummerous refurbishing and restoration) and is a peaceful place to stroll around. The exterior is good enough, but the impressive features of this temple are the religious (wall) paintings and statues stored inside the halls. The paintings tell the stories of Buddha and Asoka and the art is very beautiful.
I stayed in Osaka for another day after my friends have left, and went to see a shrine called Sumiyoshi Taisha. This was another pretty shrine with unique architecture (I like architecture of shrines and temples). An amazing contrast of vermillion lacquer, deep brown of the thatched roofs and white all surrounded by early summer green. I got to see three Shinto style weddings that morning. They were certainly beautiful especially on a day with such perfect weather, but I have to say that although they were three separate weddings, the way the shrine conducted (conducted more like, than carried out) the weddings were kind of systematic. One right after another. Popular place, good day, I guess it couldn't be helped.
Then I wandered into the Shinsekai area. That's where the Tsutenkaku Tower is (every big city has its own tower). Since I already went up the Castle to get a view of the city I didn't go up this one and just walked around the area at its foot. Shinsekai looked like a block of dozens of kushikatsu (fried... pretty much any kind of food stuck through skewers) eatouts huddling together. Most of these places had statues of Billiken in all sizes placed at the entrances. First I didn't know what it was, but later on found out that this is the famous Osaka god of all-purpose luck. Actually, I just found out that Billiken was designed by an American artist based on the inspiration she got from her dream one night, and the figure went popular worldwide, that is to say back in early 1900s. Is that right? At least, not too many of the Tokyoites know of the god. Anyway.
The following day I woke up in the morning and decided to leave Osaka for my personally most exciting destination for this trip, Kyoto. I've been to Kyoto so many times but like many say, you can visit Kyoto one hundred times and not even see half of it. This trip was particularly an exciting one. Will go on to vol.3.
Didn't mean to have a break so long... well I am back to blogger after 6 weeks. Many things happened - or rather, I was engaged in many projects during these past weeks.
I did quite a lot of Tokyo guiding as well as interpreting, went to Australia for a week accompanying a filming crew as an interpreter (now that was one awesome trip: we traveled parts of Cairns, Brisbane and Gold Coast). Then I played in an orchestra for an operetta, and after another Tokyo city tour I traveled around Kobe, Osaka and Kyoto, all pretty big cities as well as tourist attractions in mid-west Japan.
It was my very first time to go to Kobe. Quite honestly I didn't know what to expect.
The overnight bus from Shinjuku (Tokyo) to Kobe was surprisingly comfy with considerably wide space and relaxing recliner seats. Though the price can't exactly be described as cheap, it's a whole lot more affordable than bullet trains when traveling this country for such long distance. The downside of it, however, is that the bus arrives at the destination pretty early in the morning (7:3o-ish) when not many of anything in town are open. Two more friends and I had to kill time in a cafe, but it was okay cuz this way we could plan the route for the day.
We only had one day in Kobe and that day had been pretty miserable weatherwise. It poured and poured and poured all day and I got myself soaked on the first day of my trip.
Kobe I imagined prior to this trip was a classy stylish town: the impression I actually got was that the town resembled a lot of the int'l port town of the east, Yokohama. Of course these two cities are different, and if I had more time to explore the town I probably could have gotten more different impressions, but it seemed to me that the types of attractions... or districts they have are quite similar. The former foreign (western) residential area, China town, the shopping/commercial district, the port area - I thought that the two cities shared a lot of common elements.
What interested me the most, or gave me the biggest impact, was the remains of the dock located in the port area. The dock known as Meriken Hatoba had been damaged severely (almost destroyed) just like how the entire region was by the Hanshin Awaji Earthquake back in 1995. As a remembrance of the tragic disaster of more than 40,000 casualties the dock is preserved in exactly the way the earthquake left it.
Afterwards we went to a Chinese temple (by chance, kind of) and made an interesting observation on Japanese uni students and professor. I looked like a class on religious studies or art or sociology or one of the kind was visiting this temple, one professor and about a dozen students. At first they were just looking around the small temple and its grounds, but (unfortunately, to them at least) they were caught by an elderly (yet more energetic than any of the class there) worshipper who literally started a lecture that went on for half an hour. The lecture was actually pretty good, though the attitudes of the students were by no means nice. They looked like they as well as the teacher were terribly annoyed and wanted to leave asap. No comments, no questions. My two friend coming from overseas were amused by the situation. They said they couldn't believe what they were seeing, the silent and annoyed group, because if this was the case in their country there would definitely be a shower of questions and the professor would have to stop them because otherwise they'd run out of time, not because they wanted to leave any second.
The day ended with good Indian dinner followed by a businessy conversation with the Indian owner of the restraunt, and after relaxing in a jazz bar with live performance we left the city for Osaka.
So much for today. I will write about Osaka in the next entry.
At the same time as writing articles and editing them for the website I automatically do some JPN-ENG translations because the base data for these articles are in Japanese, and every time I try to write something very Japanese I hit a wall of language differences. For more professional translators and interpretors this wall of language differences (and I say wall, not a barrier... I feel like they're somewhat different) is probably close to nothing, but for a person like me who understands both languages pretty well but not well enough to accomplish the task without almost no difficulty, the little things about the language differences bother so much. The differences of the languages are the differences of cultures and I can't be adding footnotes everytime I do translations. I feel this especially strongly when translating sentences that have to do with senses of beauty and comfort.
Good examples (which means I have to deal with the following rather frequently) are as follows:
- yuugen: subtle and profound, ethereal
- mugen (yumemaboroshi) : illusory, dreamy
- shimpiteki: mysterious, unearthly
- gensouteki: fantastic(al), magical, translunar(y)... (it's more... dreamy and nice)
- iki: chic, edgy, nifty, stylish
- shareta: chic, classy, fancy, stylish
- joucho yutaka: exotic, emotional... (I don't think this's right)
- fuzei no aru: taste, flavor, appearance, attractive
- joushu afureru: sentimental, spicy... (haha! "spicy")
- okuyukashii: discreet
- ryuugi: style, way, fashion, tradition
- yuusou: gallant, valiant
- hanayaka: gaudiness, pomp(ous), gorgeous
- jojou: lyric(al)
- yuruyaka(na): mild, gentle, relaxed, moderate
- miyabiyaka / jouhin / yuuga: elegant, refined, ethereal
- seijaku: quiet, tranquil(ity), composed, relaxed, silence
- wa: Japanese
- kokoro: heart and mind
- kyoushuu / natsukashii: nostalgia, nostalgic, reminiscence
The nastiest one for me personally is "kokoro" which according to the dictionary is "heart and/or mind". It's not wrong, but it's neither exactly heart nor mind, nor is it feelings, emotions or spirit. It's like a mixture of everything mentioned but is indescribable in other words. Kokoro is kokoro.
The other ones that are hard to tell are those related to other-worldliness like yuugen, mugen, shimpiteki, gensouteki, etc. There was a translation in the dictionary, "ethereal" but because I've never really used that vocablulary in my daily life when I lived in the States, I have no idea what it means exactly. Can somebody tell me if it's an appropriate word to describe other-worldy beauty, or the quiet and profound atmosphere that makes you feel a sort of sacredness???
Shimpiteki is another tricky one that I can't completely agree with the dictionary. The kanji says, "god(s) - secret" and the Jpn-Eng dictionary gives "mysterious" as the English translation, but it's a twist different from mysterious. It certainly implies mysteriousness, but it also carries the meanings of sacredness or holiness. Something sacred and holy, something that makes you feel the presence of the gods is mysterious. I think that point is more or less common in any culture or religion. Well, the traditional Japanese religion (Shinto) believes that there are gods in pretty much everything existing in this world and worships especially the nature. Therefore the term "shimpiteki" is used many times with descriptions on nature, scenery, art and atmosphere. When the term is used it does denote holiness, but it doesn't necessarily mean that it's a sanctuary that the outsiders are prohibited connection. It's just the description of the atmosphere.
So. My point. How much of these translations are credible? Most of the above, I have been using every once in a while because I cannot find alternatives, but honestly I do doubt if they're actually correct. They are Japanese-unique expressions that perhaps can be translated better into Chinese and Korean more than English because we share part of the writing systems as well as having similarity in the cultures. How can I tell precisely the most delicate nuance of the difficult language in a different language?
If there's anyone out there who understands both languages perfectly, I am dying for your suggestions!
After all that fussing and complaining and making excuses, I finally joined mixi not too reluctantly. "mixi" (pronounced mix-ee) is the name of an SNS which I believe is the largest in Japan? I think. My ex-boss wrote about the discussion (or maybe controversy) on how it spread so widely so fast in Japanese society and its addictiveness (see entries for May 18 & 19 here: it's kind of confusing that the blog keeper's name is me, monamie, but the author of all the articles there is my ex-boss kaduak).
Anyway, I had a bunch of friends who were making full use of mixi from a while ago, and they've always asked me to join it. Because mixi is a completely exclusive membership network, you need to receive invitations from a member in order to become a member. So I had several invitations sleeping in my e-mail inbox, but they were always there being untouched because I had no intentions to join the network and my friends did know about it. The reason for being so reluctant to join this online community was because I didn't really appreciate the idea of being connected online... how do I put this... I always like meeting people in person and making new friends in person. Put simply, I don't entirely trust online communication (don't ask why I'm in this business, keeping a blog). When I tell this to my friends, they tell me that mixi's safe because you only need to form your own network among people you already know etc. etc. and that is kind of true, but back then during those days I was still pretty suspicious about the whole idea. I was also too concerned with by these "rules" the SNS has. They're not real rules, but it can sound almost religious at times (just read my ex-boss's blog. it's all explained).
Now, the reason I decided to join it: it's simply because I have more time. I have so much time now that I'm almost bored to death. I actually did register myself on mixi but never really made use of it, and this time I decided to add some information about myself on it so now there's my profile and one entry of a journal. I doubt I'll have new entries everyday, but let's see how long I can continue this. Speaking of continuing, this very blog going on for so long is already like a miracle.
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Went to see the movie STEP UP. It's a dance movie and I think it came out in the US and other countries last summer or so? But it came out in Japan finally this spring, a couple of weeks ago. It wasn't advertised so much as compared to other imported films, but I got to know about it through my younger sister who just came back from her studies in New Zealand. She saw the film in NZ last winter (?) and loved it, so we went out to see it again for my sister and for the first time for myself. The film made me want to dance so badly - I can't dance that much, but I did use to dance classic ballet so I kind of regretted I quit it. Dance movies are cool.
Random Selection of News: late March, 2007
Those Japanese manga fans out there, there's a little news.
You don't have to wait months for the newest volumes of Japanese manga to come out in your langauge! Unfortunately, this doesn't apply for all the works being published internationally, but just recently publisher Gentosha announced that it will release paperback copies of the works published online on its webmanga site GENZO (Japanese / English). The very first one to be published is Gravitation EX the newest version of the popular series Gravitation, and it is scheduled to come out in seven languages including Japanese, English, German, Spanish, Taiwanese, Italian and Korean.
Again, this is only for the works on GENZO, but once one publisher starts doing this I bet others will start similar projects as the international manga market is steadily growing.
"Ikemen" connects East Asia
I think the whole fad about ikemen started several years ago just about the same time this crazy hanryu boom (Korean boom) swirled up in Japan. And I think this was when the Asia-internationalization of showbiz really started to become part of the mainstream of entertainment in Asian countries.
Ikemen is a Japanese term for "hot guys" which popped up around 2000. The term is coined from the words "iketeru" (modern casual language for "hot", "cool") and the English word "men". Right now the term is used so commonly from daily conversation to titles in magazines and variety shows, even on news sometimes despite it not being "proper" Japanese language.
When the Korean boom started with the import of a number of Korean love romance TV dramas best represented by Winter Sonata starring Bae Yong Joon, a whole lot of other young and handsome Korean actors were introduced to Japan with titles like "Shitennoh (Four Heavenly Kings)".
Chinese ikemen are introduced to Japan many times through movies rather than TV dramas, and Taiwanese as well as Korean ikemen through music activities. I notice that now there are so many musicians who sing songs in Japanese and you never know they're actually not Japanese.
I don't know so much about how Japanese pop stars have been seen in other East Asian countries in the past (I mean, before the trend of ikemen Asianization), but I have been told that Japanese actor Tsubabuki Satoshi and several members from the Johnnys Entertainment - (supposedly) the ikemen talento agency - are really popular in Taiwan right now.
Today the ikemen network (not of the ikemen themselves but of the media and fans) is wider, tightly connected and stronger than when it started. Fans for an ikemen are scattered around East Asia from Japan, Korea, China, Hong Kong to Taiwan, and hearing news of Korean, Chinese, Hong Kong or Taiwanese ikemen coming to Japan has become almost regular. One day, so-many-thousands of fans gathered up for a concert in place A, and the next day several hundred fans flood over to an international airport to have a glance of another ikemen. These news were fresh news a few years ago, but now it feels like making oneself famous in the Japanese entertainment industry with his handsomeness is not too different from debuting in the eastern end of the Eurasian continent. Ikemen connects East Asia.
I wonder why handsome men tend to be more featured than beautiful women, though. Are men in these countries not as interested in beautiful women as women are in handsome men?
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Today is the last weekday of March so people are kind of busy and some maybe nervous too in this country. As some of you probably know, the school/fiscal year in Japan starts from April and goes till next March. I think by now all schools from kindergarten to universities have finished their graduation ceremonies, and freshers are getting ready for their lives starting in only three days from today. Next Monday the faces on the commuting trains would probably look a lot different, and there would be a lot of new uniforms and business suits walking around. This is also the time of year when you feel like you've grown old :p
If there any of you are regular readers of this blog and of my website, first of all I would like to thank you for sparing time to read my writings (which sometimes aren't even worth calling articles). From next week, you may notice some changes in the blog as well as website, and that is my "seasonal change". I thank you all from the bottom of my heart for reading and leaving comments on this blog (not to say that I am going to stop writing) and for sending e-mails to my website Japan Mode.
Today's update on Japan Mode: Webmanga CHARMY ROP Chapter 13 - Final Episode (to be updated around 18:00, Mar30, JST).
Guimauve
